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Feb 12, 2017
SINCE FOREVER, 2015
Quick. Guess what medium this is. Encaustics? Oil/Wax? Acrylics?
If you read my earlier posts, you'll know that I didn't begin to dip my toes in acrylics until 2016. So yes, this is an oil/wax painting.
And although I spent only a year painting in oil/wax, I had taken to it so quickly. I felt like I had been doing it since forever. Little did I know that I would leave it all behind.
Today, I have been painting with acrylics for nearly a year.
And truth be told, I took to it just as readily as I did the previous mediums, including encaustics in 2012.
With the need to fill wall space at art festivals and a few galleries, I painted like a madwoman, so that speeded up my learning.
Now, it feels like I have been painting in acrylics since forever.
I'm happy that I switched mediums for health reasons, and for anyone on the outside, I hope the switch appeared seamless.
In my creative journey, regardless of medium – digital graphic arts, encaustics, oil/wax, acrylics – the common thread in my artistic expression is a love for "negative space" evident in the vast skies and oceans, and colors that are anything but primary. I like painting in layers and animating the surface with various tools.
I like acrylics a lot. For now.
I may alter my medium again, or my style, but some things will never change: quiet paintings that can be enjoyed closeup yet move you from afar. Ones enlivened with little nuggets of interest, splatters and scratches; paintings at first serene yet capable of unfolding with new surprises for years to come.
It's been my artistic expression, why, since forever!
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Papers: A smooth 100% acid-free cotton rag, natural white, heavyweight fine art paper. Archival, museum quality. Light fastness rating of 100+ years. Canvas Prints: Archival, top quality, museum grade canvas. When viewed under proper conditions, you can expect from 100 – 200 years of life .
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